Vor aller Augen, before everyone’s eyes, this German language collection of chapters takes us through art history. For a series of famous paintings of women, each story gives voice to the women portrayed outside the artefact’s frame. Sound concept. Some of these vignettes felt contrived however, and some I would have loved to read several chapters more, or a full novel even, to see the story develop. Picked this 2022 book up in a Zurich bookshop in February, after reading the 2021 Die Erfindung des Ungehorsams last year. Clavadetscher (1979) is a Swiss playwright and author. Looking forward to reading more fiction by her.

Read in April 2025.

Today I hung four ‘blues’ linocuts by Diana Huijts above Y’s drum kit. I bought them over the Christmas holidays, after having them on my wishlist for four years.

Diana Huijts is an artist living and working in our former hometown Enschede. We already have two prints in our living room from Huijts Alpha Tower series. The Alpha Tower is a sky line dominating highrise in Enschede, built in 2008. Huijts made a series of lino’s in 2009 and 2010, akin to the Hokusai series of Mount Fuji, from different perspectives (both geographically and socially) in and around Enschede. I look at them with pleasure every single day.

She made these lino cuts of musicians a few years later, 2015-2016. I took an instant liking to them when I first came across them. May it inspire Y as she practices her drums on our top floor.

It was like spring this week in Switzerland, and it was very pleasant to be outside. Wednesday we went to see the Rhine falls near Schaffhausen. There weren’t many people around. We walked across the railwaybridge to the other riverside for lunch in Neuenhausen. Along the right bank is a footpath with nice views of the falls. On the left bank, where we parked, the access to the viewpoints requires buying tickets. Looking around on the map where to explore next we spotted a photo museum in nearby Winterthur but it was between expositions. Instead we decided on visiting the Beim Stadthaus location of the Winterthur Kunstmuseum which has a collection of 20th century art.

We had the museum entirely to ourselves. We were the only three visitors. To enjoy at our leisure a wide range of works. It was great. In the 1916 museum building which also houses the natural museum, the halls are a bland beige and the works are presented without context, almost without information even. Just a name and a date. Being in there alone felt like discovering a forgotten wing of an old building that happened to have all these beautiful works of art in them. Or like being in a school building after hours when everyone else is gone. Being the only one in what is normally a frequented public building. Like you’re not supposed to be there, to have some personal time with all these works of art.

Van Gogh, Matisse, Monet, Giacometti, Calder, Arp, Mondriaan, Picasso, Braque and many more. Just us three to enjoy them, stand up close, talk about them. Walk away, come back to compare. Watch for a long time. No one also wanting their turn to look from the best angle, or trying to get a better picture.
Normally on public display, it became a fully private visit, which made it a very different quality of experience.
Who knew Winterthur held these unexpected treasures.

works by Van Gogh, Rodin, and Monet


Van Gogh and Rodin.


Painting by Leger, sculpture by Duchamp-Villon


Works by Mondriaan, Calder, Van Doesburg, Arp and Täuber-Arp

It was our second week of four in Lucca in July 2015. We were there to heal. It was very hot, and we had quickly settled into a rhythm of morning coffee in one of the many tiny streets still following the original Roman street pattern, an early lunch out or quick salad at home before hiding during the hottest hours in our air conditioned apartment, and heading out again late afternoon for wine followed by dinner al fresco or walking the city walls.

One such morning after sipping our coffees we strolled past the square that still follows the contour of the amfitheater that once stood there, down the Via della Fratta and came across the Lucca center for contemporary art, Lu.C.C.A. It had a retrospective of the work of photographer Elliott Erwitt.


Lucca center for contemporary art as seen in 2015 with the Erwitt banner on the facade. The center closed indefinitely in June 2021.

Born in Paris in 1928 to Jewish parents from Russia, after his early childhood in Milan he emigrated to the USA in his early teens just before the second world war. After the war he photographed in France and Italy, and joined Magnum in 1953.

It was a surprise to find this photographer and his work inside the walls of an ancient Tuscany town.
We enjoyed the love of irony and the candid shots of the little absurdities of life. Sometimes it took a moment to realise what we were seeing. His images made us smile, in a year that generally didn’t.

We bought two poster sized prints of Elliott Erwitts photos in April 2021. One the ‘dog legs’ photo, taken in NYC in 1974. The other a 1968 image taken in the Florida Keys. Both we had seen in the retrospective in Lucca. Since having them framed they hang above the piano in E’s home office.

Erwitt died this week at the age of 95. His work will continue to make me smile whenever I walk into E’s home office.


The catalogue of the Lucca Erwitt retrospective in 2015, that I pulled from the book shelves to leaf through today.

An evening where an exhibit is opened in Kortrijk, Belgium, brings together the life and stories of 6 people. They all remember it differently, incompletely. A well done story, entertaining. Just like her second novel, Luister. Though having read them both in short succession makes the template/pattern used for both stand out pretty strongly. So a next book I should only read with enough time passed between this and the other one. Dutch book, not available in English translation I think.

A well done story, very entertaining. Starting in the 1980s a student fleeing their art academy after traumatic events ends up in Paris as au pair as the Berlin wall falls and many attacks take place in Paris. A former teacher of that student is in Paris in 2015 during the attacks. The parallel and the connection between the two is the framework for weaving the story. Dutch book, not available in English translation I think. Gave it as a present to my sister and a friend afterwards. Picked it up in a book store in Groningen, Godert Walter, when E and I were spending a weekend in that city.