Visited the photo exhibit by Eddo Hartmann on North Korea in the Huis Marseille museum in Amsterdam last week.

What struck me was the similarity with the Eastern block countries in the 1980’s in terms of design looking like it got frozen from the moment that outside influences were banned or blocked. It seems that the price for removing outside influences is reduction of inspiration or creative friction resulting in stagnation of artistic expression (other than those sanctioned)

East Berlin 1987
Friedrichstrasse, East-Berlin in 1987, at least it was busy, even if the design was like the 50’s

Also the contrast between the often inhuman scale of monuments, buildings and roads and the general absence of traffic or crowds. Except maybe for rush-hour on the metro (the exhibit contained some 360 degrees VR videos of that). The emptiness of the photos looks to be confirmed by aerial footage in Google maps, that also shows an absence of traffic and passers-by that doesn’t rhyme with Pyongyang having 3 million or more inhabitants. It reminds me of the emptiness of Second Life a few years back, where the entire environment was built up but no-one was ever there, except during events. Of cities we expect a certain activity level at all times. The whole ‘the city that never sleeps‘ mythology.


Google maps aerial photo of Pyongyang showing mostly empty streets


Elmine exploring some video footage of Pyongyang in VR