Really liked this story, noir beneath the glaring French sun. An agent provocateur for hire is tracking a group of activists in a commune in southern France. But this gig is changing her too. The weaving of different stories and layers, in social stratum, geography, and time. A story I’d like to have continued reading after it concluded. US author Rachel Kushner was shortlisted in 2024 for the UK based Booker Prize with this book.

2025 English translation from the 2022 Italian original (2023 there was a Dutch translation) by Vincenzo Latronico. Picked it up at the Steven Sterk bookshop underneath the Dom tower in Utrecht. Short read, about a Berlin couple, migrated from southern Europe, living social media shaped perfect lives. Nothing is perfect of course, or ever was, it’s all precarious. Especially when your live moves out of your twenties and your peers start families. Good observations, also about the timing of your own path into adulthood along side a specific phase of internet development as well as Berlin as a city. Enjoyable short read (135 pages).

Picked up this novella, or more like a single short story, in the Steven Sterk bookstore in Utrecht. A 2024 English translation from the original 1972 in Spanish, by Argentinian author Ángel Bonomini (1929-1994).
Unambitious and detached legal scholar is invited to a Swiss university for a summer, along with 23 others that turn out to be full Doppelgängers. Enjoyable, quick read.

A while ago in a fleeting Mastodon post, I came across the term cognitive archeology. A term that immediately sparked interest. It also mentioned the 2019 anthology Squeezing Minds From Stones, which contains a range of chapters that sparked my interest even more, I saw all kinds of associations with other things I’m interested in. Cognitive archeology is about what prehistoric archeological finds can tells us about the cognitive processes of the humans leaving that archeological record behind. What do stone tools tell us about the people who made them? What theory of mind would people have that set traps for animals?

Already early on in my blogging I remarked in a 2004 blogpost that we’ve been offloading information and knowledge cues to our environment, like marks on bones, since the days of Cro Magnon. And that using information strategies and PKM as a way of turning information overload into an abundance is just going through a next iteration of the same. In the past months, reading Memory Craft by Lynne Kelly, I learned how oral traditions and indeed stone age cultures create a variety of mnemonic devices and methods, including Stonehenge as a stone age memory palace. Cognitive offloading was one of the themes last week at the European PKM Summit, where Marieke van Vliet presented her views on cognitive offloading bad and good in the age of AI.

I had collected the abstracts of all chapters in this book, but realised I wanted to read the whole thing. However this is one of those academic publications with prohibitive pricing, so I hesitated and looked for a cheaper option. In the end I ordered it from Oxford University Press directly. It arrived yesterday and I’m very much looking forward to exploring it.


The book on our garden table

Last year February while visiting Switzerland I ended up buying a stack of books in Zürich. As we happened to visit again last week, I made plans to visit the same bookstore and check out newly published Swiss and German literature and science fiction.
This year’s haul at the Orell Füssli store in Zürich contains:


The seven books I bought laid out on the floor, after we returned from a day trip to Zürich last week

There’s a whole bunch of publications and videos about note making systems, all too often taking Luhmann’s slip box as cue, singular example, or even as note making’s furthest historical horizon. So with some hesitation I approached Bob Doto‘s ‘A System for Writing’ as it joins that list of resources. I originally postponed buying it, but it came well recommended in my PKM network. I’m glad I did pick it up in the end as I do appreciate the work.

The book has three sections of three chapters. Part one about making notes, part two about making connections between them, and part three about writing various types of outputs. It’s this third section that provides the title for the book, and it’s also the part that I took the most from.

The first two parts about making notes and linking them, while providing me with little new insight, do make some valuable points that deserve more repetition. It puts emphasis on how your notes are centered on personal knowledge, on the meaning you yourself put into it and derive from it, by linking. Doto also does something that other works on this topic do very little of: showing actual notes in various stages of creation. When I read Ahrens’ Smart Notes book, I disliked it was all tell and no show. Doto weaves his showing and telling together, and that makes it a much more useful practice oriented text. Doto also made me for the first time see value in the alphanumeric system he uses in note titles (similar to Luhmann), as a good indicator of which parts of your collection are more developed than others. He uses that as potential points of entry for writing.

The part about writing is very useful I think. What is your Zettelkasten for? Most other works focus on getting stuff into a Zettelkasten, and often don’t bother to ask to what purpose. Bob Doto puts that purpose front and center.

He presents his writing system as an active practice, in parallel to and integrated with his note making. Writing includes all forms of it. Small messages on social media, answers on fora, blog posts, and longer texts like articles, essays and books. Seeing it as a spectrum where one type of text can inform the creation of another and can form a cycle, rather than as discrete standalone artefacts is connected to his perspective as written output being part of an ongoing conversation with different types of readership. Writing as inputs into conversation, with readers, other authors, historic authors. This chimes closely with how Kalir and Garcia in their book Annotation see annotation as conversation and social interaction just as much. This appeals to me, my blog has always been about conversation, but also provides a perspective to make the threshold for writing much lower. Writers block sounds hard to overcome, but who ever has conversation block? This section to me is stronger in comparison I think with Ahrens’ book, again beause of show not just tell, but also because it doesn’t wave away details where Smart Notes in my memory more suggests it’ll happen automagically.

In his system for writing the author’s emphasis on managing the writing process rather than the writing speaks to me. Also he shows how he scales the level of management with the scale of the writing (with tweets and books at opposite ends of the scale). Day logs and creative logs are his tools in doing that. Using those and his tasks oriented management approach allows him to work on multiple writing efforts in parallel, and spend time where his energy takes him. In contrast to how I may have multiple draft texts in parallel rather than writing efforts, and then usually have no way to enter any one of them easily to work on it. Doto’s described system provides a ratchet effect to his writing. Such ratcheting I have and experience in my note making and every day usage of my notes, but not yet in my writing. I will incorporate that in my own practice.

In the past 10 days after reading I found one suggestion extremely valuable already. Not in the context of writing, but in the context of following my energy and in switching tasks in my current burned-out state of mind. Interstitial journaling, a term and suggestion from Tony Stubblebine , is about writing down what you did after a task, how it felt or went, plus what you intend to do next.
I have done more things on more topics and feeling energy rather than losing it in the past week when using interstitial journaling to track and follow my energy. Making an entry facilitates the switch between tasks, because it is already part of that switch, rather than logging as the end of just the previous task. I have a habit already of adding to my Day log note after each task and appointment, and the Day log is my key jumping-off point for all my note making. Over time it has mostly become a pretty dry and sparse log however. Did this, 10 am meeting X etc. Interstitial journaling lets me pay more attention to what it means to me and what next. My Day logs in the past week have become more verbose, and provide more meaning as well as starting points and new branches. It reinforces the ratchet effect of my notes in a qualitative new way for me by incorporating my emotions and in the moment perceptions.