I finally wrote down the full overview of how I look at agency in our networked world, and the role of distributed technology in it, in the past weeks (part 1, part 2, part 3). It had been a long time coming. Here is a brief overview of its origins, and why it matters to me.

Origins
I previously (in the past 18-24 months) wrote down parts of it in rants I shared with others, and as a Manifesto that I wrote in January 2015 to see if I could start a hardware oriented venture with several others. I rewrote it for draft research project proposals (the image below resulted from that in June 2015) that ultimately weren’t submitted, and as a project proposal that resulted in the experiment we will start in the fall to see if we can turn it into a design method, which in itself will become an agency-inducing tool.

But the deeper origins are older, and suffused with everything I over time absorbed from my blogging network and the (un-)conference visits where those bloggers met, such as Reboot in Copenhagen. The first story I created around this was my 2008 presentation at Reboot 10, where I formulated my then thoughts on the type of attitudes, skills and tools we need in the networked age.
There I placed the new networked technology in the context of the social structures it is used in (and compared that to what came before) and what it means for people’s attitudes and skills to be able to use it in response to increased complexity. The bridge between ‘hard’ and ‘soft’ technology I mention in the three blogpostings on Agency, originates there.

The second story is my closing keynote speech at the SHiFT conference in Lisbon in 2010 (where we had to stay on a week because of the Icelandic ash cloud closing down European airspace). I blogged the submitted talk proposal, and video and slides are also available. There I talked about doing things yourself as a literacy (where literacy in the Howard Rheingold sense implies not just a skill but deploying that skill in the context of a community for it to be valuable), on the back of internet as our new infrastructure (an echo of Reboot 2008). I suggested that that socially embedded DIY was not just empowering in itself, but very necessary to deal with a complex networked world. Not just to be able to create value for yourself, but to be resilient in the face of ‘small world syndrom’ (the global networks finally making visible we live on a finite world) and cascading failures that propagate at the speed of light over our networks exposing us to things we would previously be buffered from or would have time to prepare for. I proposed the term Maker Households as the unit where DIY literacy (i.e. skills plus community) and local resilience meet, to create a new abundance based on the technical tools and methods that the networked world brings us. I was much more optimistic then how those tools and methods had already lowered the barrier to entry and merely pointed to the need to better learn to apply what is already there. I called upon the audience to use their skills and tools in the context of community, with the Maker Household as its local unit of expression. From those local units, a new global economy could grow (as the root meaning of the word economy is household).

Since then these notions have been on my mind daily but usually absorbed into every day work. I registered the domain name makerhouseholds.eu with the intention of writing up my SHiFT talk into an e-book, but never sat down to do it and let everyday life get in its way. Over time I became ever more convinced of the importance of these notions, as incumbent institutions started to crumble more and general discontent kept rising. At the same time I more strongly realized that the needed technology was failing to create more agency beyond a circle of power-users, and where broad adoption was taking place it was because key affordances were being dropped in favor of ease of use and ease of business models. Especially when I in 2014 started to explore how to make myself less dependent on tools that were providing convenience, but at the cost of exposing myself to single points of failure in what should be networked and distributed, and realized how much work it is to make the tools work for you (like maintaining your own server, or leaving Gmail). That triggered the ranting I mentioned, solidifying my conviction that Maker Households should be about packaging technology in ways that make it easy for people to increase their agency, without compromising their resilience.

Personal importance: Agency as unifier
Why this long overview? Because it seems it led me to finally finding ways to express what unifies my work of the past almost 20 years. As a kid I felt everything was connected, although everyone seemed to want put everything into discreet boxes. Internet and digitization made the connectedness all true, and I’ve been fascinated with the potential and consequences of that ever since I first went online in 1989, over 25 years ago. That unifier has however been elusive to me, even as all my work has always been about making it possible for others to better understand their situation and by using technology more purposefully act together with their peers based on their own perceptions of needs and wants. That was what drove me towards the change management side of introducing technology in groups and organizations, what drives my interest in dealing with complexity, informal learning networks, and the empowering aspects of various internet- and digitisation driven technologies such as social media, digital maker machines, and open data. That unifier has been elusive to my clients and peers often as well. I regularly have people call me saying something like “I don’t understand what it is you do, but whenever I search for things I think might help, your name comes up, so I thought I’d better call you.” Increasing agency as a unifier, from which different areas of expressing that flow, may put that confusion to rest.

Agency, as unifier, also makes the ‘menu’ below the way for me to explore additional fields and activities.

Agency by Ton Zylstra