In the past months I have increasingly read books from independent authors that self-publish. It seems there is a growing supply of it, and of increasing quality.
Fellow nerd Peter Kaptein has been cutting his own path into the writing jungle, and I enjoy following his reports on his blog and on Facebook chronicling his musings, struggles and process. Likewise here at home it is exciting to see my wife finally giving in to her lifelong urge and start writing stories, after getting a huge burst of motivation from following a training on methods and tools. It is what allowed her to see writing as artisanship and thus well within her own scope.
Today I read the book Jennifer Foehner Wells (twitter). Remanence is the sequel to Fluency which I read sometime last year. Remanence was published yesterday, and provided me with a good, exciting and relaxing read this weekend. I was originally attracted to Fluency because it promised a linguist at the heart of a hard scifi story (who else to crack the Universe’s lingua franca?). The follow-up provided techno-collapse to pre-industrial level, ecosystems gone haywire and space faring squids finding out they weren’t as free as they thought.
Independent writers are learning to embrace the affordances that global connectivity provides, and directly creating their own audience, distribution channels and brands, much like indie musicians before them.
It’s not that regularly published SF isn’t interesting or fun. As long as I’m able to explore or be surprised by what I find in terms of perspectives etc. Such as around new year when I hugely enjoyed the two SF novels from Chinese writer Liu Cixin ( Chinese blog). His Three Body Problem, and the follow-up Dark Forest are both great reads with a first encounter in a game world, a quantum-enabled block on human science development and a solution for the Fermi paradox. Already looking forward to the third installment becoming available in English later this year.
Thank you for the reminder about Fluency, which has intrigued me.
Several publishers and journals have been pushing hard to get Chinese sf on the global stage. Ken Liu has been doing tons of work on this score.
More to read!